Contents:

• Robert A. Baron, Editor's Introduction, Summary and Analysis
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• Karen A. Akiyama, Rights and Responsibilities in the Digital Age
   
• David Bearman and Jennifer Trant, Museums and Intellectual Property: Rethinking Rights Management for a Digital World
   
• Amalyah Keshet, Fair Use, Fair Trade, and Museum Image Licensing
   
• Allan Kohl, Prospects for a Public Domain Art Image: Resources in an Era of Digital Technologies
   
• Christine L. Sundt, A Visual Resources Advocacy Statement
   
• Maryly Snow, The Pedagogical Consequences of Photomechanical Reproduction in the Visual Histories: from Copy Photography to Digital Mnemonics
   
• Patricia Taylor, By Line Drawings Ye Shall Know Them: Consequences of Barriers to Digital Reproduction
   
• Karlene M. McLaren, Copyright: Fair Use and Foul Play
   
• Stephen E. Weil, Fair Use/Museum Use: How close is the Overlap?
   
• Peter Walsh, Art Museums and Copyright: A Hidden Dilemma
   
• Barbara Hoffman, Fair Use of Digital Art Images and Academia: A View from the Trenches of the Conference on Fair Use (CONFU)
   
• Virginia M.G. Hall, Fair use and Digital Image Archives: A Report on the National Information Infrastructure Conference on Fair Use
   
• Caron L. Carnahan, The Visual Surrogate as Intellectual Property: The Clinton Administration's "White Paper" and its Implications for Visual Resources Collections
   
• Barbara Lang Rottenberg and Rina Elster Pantalony, Moral Rights and Exhibition Rights: A Canadian Museum's Perspective
   
• Linda Bien, Canadian Visual Resources and Canadian Copyright
   
• Maryly Snow, Review: Copyright, Public Policy, and the Scholarly Community, edited by Michael Matthews and Patricia Brennen