Robert A. Baron

Slides and Images
for
Art History Resource Collections

note:
slide sales are discontinued
as of 4/12/2001
Digital images are available
Refer to
Photo Essays

 


 

 

Visits since 7/10/98:

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SLIDES AND PHOTOGRAPHIC SERVICES:

Slides and other media presenting selected monuments of interest to art historians are offered for sale to individuals and institutions. New materials will be added as they come available. Slides are sold by set only. The price of each set is determined by multiplying $2.00us per slide times the number of slides in each set. Minimum order is $25 in slides. Orders must be paid in advance in United States funds and must include $15 per domestic order and $20 per foreign order to cover shipping and handling. Orders will be shipped from four to six weeks after receipt of payment. All sales are final except as specified under Warranties and Representations below.

Interested individuals are encouraged to send for a list of sets and for lists of slides contained within sets. Lists can be sent via surface or electronic mail.

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Barcelona,
Antonio Gaudi
Park Güell
(1900-14)
Viaduct Columns
(005-12)

DATA PRESENTED ON SLIDE LABEL AND DOCUMENTATION SHEETS:

Slides and images are provided in sets composed of one or more images. Usually three types of documentation are supplied with each slide: 1) An Image Set Description sheet (green paper), 2) A Slide Description Sheet (white paper) and 3) a slide label.

The Image Set Description: (green sheets)

The Image Set Description sheet provides basic information that is common to all slides (or nearly all slides) in the set. It is composed of information from several fields as described below:

Set Number:

A unique number that identifies the set. Its sequence in relation to other set numbers is meaningless.

Set Name:

A short unique term that characterizes the subject of the set of images.

Location:

For in situ object this field is a concatenated set of four fields that identifies the following: Not every object will have data in each of the listed fields.

1) The English name of the country in which the object set existed at the time of photography.

2) The English or local name of the part of the country (or section) in which the object set existed at the time of photography.

3) The English or local name of the city, town or municipality in which the object set existed at the time of photography.

4) The English or local name of the district within the above-cited entity in which the object set existed at the time of photography.

For collected (movable) objects this field identifies the location and name of the collection in which the object resided at the time it was photographed.

Start Date:

The date provided usually signifies a beginning date of reference for the objects/structures included in the set. Complex historical structures may contain elements that precede the given date. The start date field is followed to its right by an unnamed field that provides opportunity to comment on the start date given. Dates are often determined by acts of attribution and are subject to eventual change.

End Date:

See Start Date:

Period/Style:

Only the most general terminology is used to characterize the objects within a set. The content of this field is ultimately determined by an act of attribution and may be altered. It is provided as a simple rough guide to users, not as an assertion of attribution.

Associated Makers:

The contents of this field lists some of the artists, architects, fabricators and other individuals or corporate bodies who have been thought to have played a role in the creation of the work represented in the image set. Their exact roles and the nature of the attribution are not stated. As of the current writing, names are not authority controlled. Most names will appear inverted, so that the most characteristic identifier appears first. Names are separated by semi-colons.

Description and Comments:

This area is divided into two sections. The first describes or identifies the art-historical significance of the monument or monuments included in the set. Often short passages are quoted from major references or guidebooks.

The second sections summarizes the slides or images belonging to the set. Specific descriptions may be found in the Slide/Image Description (the white pages).

Slide/Image Description: (white sheets)

The Slide/Image Description sheet provides information that is specific to an individual slide. It is composed of information from several fields:

Identification Number:

The id number takes the following format: aaaa.bb.ccc.dd in which all characters are numbers. Section a represents the year the photograph was taken, b signifies the month. Section c identifies the film item number (usually a roll), and d indicates the frame number or unique number attached to the original. Each id number is unique for each slide or image. When corresponding, this number provides the easiest way to locate an item. Some image collections will find the photograph date useful to collect.

Record Number:

This is a unique number assigned by the database used to keep track of images. It provides a redundant means of citing individual photographs but provides no information about the item cited. Its sequence should not be construed as having any meaning.

Object Set Number:

Same as Set Number, above.

Object Set Name:

Same as Set Name, above.

Set Start Date:

Set End Date:

Same as Start Date and End Date above. The information in these fields apply to the set in which the object belongs, not necessarily to the object that is the subject of the slide. Technical note: In order to retain the proper formatting of the dates it was necessary to insert a hyphen after the start and end dates, i.e. 1995- These hyphens have no meaning.

Object Types:

Each object is characterized by one or more broad classifying categories. Categories are separated by semi-colons. The terms used roughly correspond to categories cited in the Art and Architecture Thesaurus but are not rigorously controlled by that authority. The field from which this derives in the cataloging database is multi-valued. It is possible to list and sort each item by object type, even when more than one object type has been cited per object.

Location:

Same as in Image Set Description, above.

Associated Makers:

The contents of this field will often be the same as the Associated Makers field in the Image Set Description, above. In some instances, when it is possible to attribute or specify a specific maker with the subject of the slide or image, that name will appear in this field rather than the list of names generally associated with the set. Dates following the names of makers are birth and death dates unless otherwise specified.

Object Name:

The Object Name will often but not always be a full name for the object that is the subject of the set. If the set name is not deemed essential to understand the object shown, the object name itself will appear here. The object name is shown in bold italics.

View of Object:

The contents of this field will identify some or all of the following:

1) the portion of the object listed in the Object Name field,

2) the location or position of the portion of the object with regards to the object cited in the Object Name field,

3) the point of view of the camera in its relation to the object cited in the Object Name field,

4) the name of the maker associated with a portion of the object represented,

5) the date or dates associated with a portion of the object represented.

France, Loire Valley
Château de Chambord (1519-24, 1526-37)
Exterior: Roof. Culmination of staircase in roof cupula.
Detail showing continuation of spiral into finial.
(009-01)

Comments and References:

Occasionally this field will contain observations by the photographer on the subject, or relevant quotations from, or citations to significant surveys and guidebooks. If a photograph is substandard or needs to be annotated by a comment about the photographic process, a note will appear in this section as a subfield called, "Comments Photo:"

Slide Label:

The Slide Label is intended to provide basic identification data. It is not intended to offer information that will necessarily be germane to how your institution intends to classify the object represented. The data shown forms a broad subset of the Slide/Image Description data. All fields are unnamed. For technical reasons all diacritics entered into the green and white sheets have been stripped from the label copy.

Field One [Country]: Line one.

This shows only the Country portion of the Location field described above. This is the name of the country that had jurisdiction of the site or property when the photograph was taken. It indicates the location of in situ objects or structures.

Field Two [Object Types]: Line one.

This field shows as much of the Object Type list as can be fit into the remaining space on line one. Any data that cannot fit has been truncated.

Field Three [Object Name]: Line two.

Same as Object Name, above. Content is truncated if it does not fit on the line.

Field Four [View of Object]: Line three.

Same as View of Object, above. Content is truncated if it does not fit on the line.

Field Five [Identification Number]: Line four.

Same as identification number, above. Note that this number provides a date for the original photography, not for the production copy of the slide bearing it.

Field Six [Copyright Notice]: Line four.

The photographer's notice of copyright. See License and Usage Stipulations, below.

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TECHNICAL DATA ON IMAGE PRODUCTION:

Equipment:

Cameras used: Nikon F5 or F2. Lenses used: Nikkor AF 35-70/2.8; Nikkor 50mm, f1.4; Nikkor 135mm f3.5; Nikkor 55mm 3.5 macro; Nikkor 35mm perspective control 2.8; Tamron AF 28-200; Tamron 28-200mm.

Films:

Negative stock can be Kodacolor (100, 200 or 400), Kodak 5247, Kodak 5294; Kodak 5898. Slides are produced by contact printing negatives onto Fuji film by RGB Color Slides, Hollywood, California.

The future:

We are investigating the possibility of having the original negatives scanned onto Kodak Photo CD media as means of 1) archiving negatives, 2) providing means to offer digital images of varying resolutions and 3) digitally reproducing corrected and unblemished slides and negatives.

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France, Brittany, Locmariaquer
"Marchand's Table" (neolithic)
Entrance

LICENSE AND USAGE STIPULATIONS:

Slides and Images ("the images") from Robert A. Baron are copyrighted by Robert A. Baron and are supplied to educational and non-profit institutions with the following privileges, restrictions and limitations regarding their use:

Within the confines of a single campus, institutions have the right to project the images in class-rooms and public programs. The images may be digitized for use by one permanent computerized indexing and retrieval program or its successors plus such temporary computerized indices that may be needed for student and faculty projects for a duration of time not to exceed the official association of the student or faculty with the owning institution. The images may be placed on a campus-wide network for student and faculty viewing in conjunction with assigned coursework. Electronic copies placed in retrieval software or on campus-wide networks are limited to representations of not more than 256 colors (8-bit pixel depth) and may not be resolved greater than 800x600 pixels for the entire image or greater than the corresponding proportionate resolution for details taken from the entire image.

Specifically excluded from this license are (i) inter-campus applications, (ii) internet and related successor technologies that extend beyond campus confines without pass control that limits use to the home campus population, (iii) non-academic credit distance-learning usages, (iv) all commercial applications with the exception of those cited below, and (v) any multi-media application either intended for sale or which will be reproduced in greater than 10 copies for distribution. Multi-media applications made and used for coursework by students and instructors are not excluded but must conform to the limitations expressed with this document.

Neither photographic nor digital electronic copies may be duplicated for use in single or multi-viewer projection applications, except as may be necessary for sequencing images for a single use during class or presentation. Such duplicated images should be treated as ephemeral matter. Duplicated images must either be destroyed or be specifically limited to similar subsequent sequencing usages. Photographic duplicates may be accessioned into the collection with full rights and privileges as stated within this license for a fee consisting of one half of the current sale price of the original.

If original slides are sold or otherwise transferred to a new owner, all photographic duplicates must be transferred with the original. Electronic copies conforming to the above-mentioned color-depth and resolution limitation may be transferred with the change of ownership of the original photographic materials. The original purchaser only is licensed to keep electronic copies conforming to the above-mentioned color-depth and resolution limitation. These images may be kept on file as a resource with the proviso that this license will be deemed terminated, null and void, and that any future use will be governed by accepted Fair Use practices, guidelines and limitations current at the time of use. Electronic copies may not be copied, sent or transferred to other institutions or for use in other institutions except on a one-time basis for use by a student or faculty member of the institution that owns the photographic original.

Students and scholars are permitted to copy and use the images royalty-free on a single use basis, without obtaining permission (i) in all student or scholarly papers or lectures that do not result in payment, royalty or revenue flowing to the author or copyright holder of the textscript, with the exception that they may be used royalty-free in academic dissertations published on demand and for the record (as in University Microfilms) and (ii) in an original first-time and one-time use in articles published in scholarly journals. Publication of the images in any form is not to be construed as a non-exclusive or exclusive transfer of copyright in the image or images. Publishers are not granted license to keep copies of the images provided them for publication purposes. Publishers must return all original and reproduced photographic materials to their owner within three months of distribution under penalty of waiver of right or license to publish said images. The image owning or lending institution or individual is responsible for obtaining publisher compliance with the above, under penalty of cancellation of license.

Use of the images in published books or reprints of journal articles, published and non-published image collections, and other for-profit publication ventures in any media previously developed, currently in use or usable in the future, are specifically excluded by this license. All rights granted by statute or case law or other authority not claimed in this document are reserved by the copyright owner.

All uses of the images outside of the classroom and lecture hall that result in a fixed image must contain or provide access to the following credit line: Photo, © copyright [year] Robert A. Baron.

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France, Pyrenees
St. Martin du Canigou,
founded, 1000
Tower, ca. 1030,
(Damaged 1428.
Three of the original
four levels rebuilt.)
Three apses of chapel.
Photo: 6/95
(003-12)

WARRANTIES and REPRESENTATIONS:

All furnished slides and image products are provided with no implied or expressed warranty for suitability, durability, quality or acceptance.

Products received in damaged condition may be exchanged for replacement. Products deemed unsuitable may be exchanged for credit within 30 days of receipt, subject to a 50% restocking fee.

Every effort has been made to provide fine teaching grade photographs consistent with the quality of the 35mm format used. On some occasions, when the quality of the original photograph has been compromised by one or another factor, a decision to retain the image in the set will have been made on the basis of its ability to serve its intended purpose, or add to the level of documentation -- quality aside. Occasionally a set will include two images of the same view. This usually occurs when one of the two images was the last photographed on a film role. Decisions to retain the duplicate in the set are determined by the likelihood that the image may be needed more than once during a specific lecture. Any purchaser not wanting to retain both copies, may send either one back for full credit.

Special applications, licensing agreements, and electronic formats are available on request.

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