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87
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all works,
© Robert A. Baron
| 1. Witch's House, 2. Disney Concert Hall, 3. Metaphors of Time | ||||
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1.Stressed stucco & shake roof. 3/1/2011, 4242x2826px 2011-03-01-18-15-58_01_HDR_a |
2. Moat |
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3. Peak & chimney; diamond & quadrilateral blown glass windows. 3/1/2011, 2803x4245px 2011-03-01-18-17-24_01_HDR_a |
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4. Variant view of #3. 3/1/2011, 2810x4243px 2011-03-01-18-17-28_01_HDR_a |
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5. Peak with windowed |
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6.Plank bridge & roughly hewn gate. |
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7. Plank bridge over moat. 3/1/2011, 2825x4236px 2011-03-01-18-18-41_01_HDR_b |
8. Fence & front door. 3/1/2011, 4242x2813px 2011-03-01-18-19-22_01_HDR_b |
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9.Twin peaks. 3/1/2011, 4248x2829px 2011-03-01-18-19-52_01_HDR_b |
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10. Twin peaks with brush. 3/1/2011, 4245x2830px 2011-03-01-18-20-16_01_HDR_b-pr-PIXa.jpg |
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11. Dormer peak and window shutters. 3/1/2011, 4241x2827px 2011-03-01-18-20-35_01_HDR_a |
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12. Mail box, garden, fence, garden & political
posters. 3/1/2011, 4246x2807px 2011-03-01-18-21-15_HDR_c |
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13. Decorative stone pillar base, fence with
alarm system notice. 3/1/2011, 2807x4231 2011-03-01-18-22-10_01_HDR_b |
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14. Garden gate with spider-web ornamentation. 3/1/2011, 4244x2832px 2011-03-01-18-22-55_01_HDR_d |
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Photographs
for Exhibit |
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Disney Concert Hall, Los Angeles, Frank Gehry,
architect (2003) 4080x2700px, 11/28/2003 2003-11-28-20-38-34_c-bg.jpg |
EX |
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Disney Concert Hall, Los Angeles, Frank Gehry,
architect (2003) 4650x3077px, 11/29/2003 2003-11-29-16-52-46_a02-big-pr.jpg |
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Competition categories: BW (black & white), CS (Color, Salon), OM ("Open Mind"), EX (Exhibit), TH (Theme) |
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A version* of George Segal's memorial to the
Holocaust. Legion of Honor, San Francisco. (fish-eye view of detail) Photo: 2/23/2006, id: 2006-02-23-14-34-59_a |
Newport, RI., Tombstone of Francis Littlefield. Died, Dec. 3, 1787, age 2 years. Photo: 10/22/2006, id: 2006-10-22-10-48-08_a |
Roadside Shrine with failing
flower and infant angel. "The Big Isle" Hawaii Photo: 6/23/2009, id: 2009-06-23-16-29-05_02 |
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This competition presents, per
contestant, as many as three images relating to the concept of "time."
The contestants are free to interpret the theme in any way they choose; but, in so doing,
as always, they run the risk that their
works may not be understood. Comprehension of the images presented,
of course, is ultimately a task of
judges. It is they who determine which submissions are best and most
profoundly
interpret the topic -- just as it is the duty of the presenters to convey the relevance of
their images. Judges, however, are not always well informed or perceptive.
As a result, conflicts are bound to occur.
Petrarch's Trionfi: More on the Triumphs of Petrarch.
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